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Isabella Lovestory – ‘Vanity’ review: neo-perreo’s freakiest sweetheart goes pop princess
The Honduran star dials up the glitz on her second album, flirting with fashion, fantasy and femininity Since crashing the global club scene with her 2022 debut ‘Amor Hardcore’, Isabella Lovestory has become synonymous with messy, sexy, hyper-femme maximalism – a neo-perreo queen who is equal parts…
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Loyle Carner – ‘Hopefully!’ review
On album four, the British-Guyanese rapper broadens his horizons, captures the complexities of adulthood, and enters an enlightened new chapter Since making his debut in 2014, it’s been clear that Loyle Carner’s music has been somewhat of a diary for the British-Guyanese rapper. 2017’s breakthrough…
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Benson Boone – ‘American Heart’ review: a front flip to the middle of the road
The boy wonder’s second album is more distinctive than its predecessor, but still overly familiar and blocked up by gooey ballads It’s not immediately obvious why certain corners of the internet have so taken against Benson Boone. He’s sort of the Lidl Harry Styles, and everyone loves a bargain. The…
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Haim – ‘I Quit’ review: quieter but no less revelatory
The sisters’ fourth album is set at a crossroads in the grieving process. But it never dwells on despair On 2020’s ‘Women in Music Pt. III’, Haim pulled off not one, but two leaps that many bands never manage: bringing their lyrics to the forefront while embracing total genre eclecticism. The…
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ILLIT – ‘Bomb’ EP review: building upon a tried and true formula
A year on from their breakout debut, the K-pop girl group are doubling down on the blueprint that’s worked for them so far – but with a few new twists Call it a doubling down of what’s worked for them or, if you view it more cynically, another blatant attempt to replicate the chart-smashing success of…
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Annahstasia – ‘Tether’ review: folk’s new star takes the genre to dizzying heights
The long-awaited debut album from the LA-based artist puts her spellbinding vocals in their rightful place in the spotlight Annahstasia’s debut album opens with a singular vocal – a fleeting moment before ‘Tether’ unfurls in all its exquisite, sprawling glory. Within this second of breathy solitude,…
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OneFour – ‘Look At Me Now’ review: more than a drill album
The Aussie quartet’s debut is both a celebration and a defiant statement that ensures you can’t write them out of drill’s global story Six years in the making, ‘Look At Me Now’ is the long-awaited debut album from OneFour, the Samoan-Australian four-piece who defied the odds and endless legal battles…
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Feid – ‘Ferxxo Vol X: Sagrado’ review
After going global, the Latin phenom is elevating the genre that put him on the map while showing that Colombia is still at the heart of his music Though Feid’s rise to the top might seem recent, it’s actually been a decade in the making. The Colombian superstar has consolidated his years…
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