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Albums
Kaytranada – ‘Ain’t No Damn Way!’ review: commanding the dancefloor with instinct and precision
The Montreal producer stands tall alone on his fourth album, showing he can hold the groove alone with sci-fi synths, R&B flips and carefully calibrated rhythms Kaytranada has always been a groove master, knowing exactly how far to push into something cerebral and spiritual, owning the space…
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Amaarae – ‘Black Star’ review
On her third album, Amaarae dives into love, lust and digital excess – and it’s a wild, hypnotic ride Amaarae has always been that girl: unbothered by rules, genre lines or whether her voice was ever ‘conventionally’ suited to the spotlight. Her 2020 debut album ‘The Angel You Don’t Know’…
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Key – ‘Hunter’ review: camp and chaos collide on this boundary-pushing record
The SHINee star fuses glossy production and experimental electronics to create the best album of his solo career As a soloist, Key has always been synonymous with the kitschy, the sensual and the epic. The SHINee star’s 2020s EPs and albums – ‘Bad Love’, ‘Gasoline’, ‘Good & Great’ and ‘Pleasure…
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Ethel Cain – ‘Willoughby Tucker, I’ll Always Love You’ album review
Hayden Anhedönia closes the ‘Ethel Cain’ chapter of her artistic journey with a bleak yet beautiful record When your debut album ends with the protagonist – and your artistic namesake – murdered and singing from the afterlife, where do you go from there? Since 2022’s ‘Preacher’s Daughter’,…
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Sasha Keable – ‘Act Right’ review: R&B reimagined with grit, grace and heart
On her first EP in four years, the South Londoner returns with a rich, honey-voiced collection with sapphic desire, Motown soul and the bite of contemporary UK R&B Sasha Keable has long been propped up as the future of R&B. At first, she was seen as a dance-floor powerhouse – her breakthrough…
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Yves – ‘Soft Error’ review: a distinctive artist not to underestimate
The former Loona member tunnels deeper into a world of glitchy electronic-pop on an intriguing and infectious EP When former Loona member Yves announced the start of her solo journey, her choice of path surprised many: she signed with Paix Per Mil, the label founded by producer Millic, who is highly…
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For Those I Love – ‘Carving The Stone’ review
The Dublin poet-producer combines clear-eyed spoken-word with stylish beatmaking in an astonishing album about home “Where’s the pride in this city? I won’t survive in this city,” For Those I Love – aka David Balfe – spits despondently in ‘This Is Not The Place I Belong’. Throughout the Dublin…
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BABYMETAL – ‘Metal Forth’ review: a solid, star-studded attempt to broaden their horizons
With album four, the Kawaii-metal group bring in the big names and push their sound further than ever, but sometimes at the expense of their signature charm For 15 years, BABYMETAL have carved out a unique space in metal, injecting a scarcely seen playfulness and providing blistering instrumentals…
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