Read Cassie’s victim impact statement ahead of Diddy sentencing
Prosecutors have argued that Sean Combs deserves 11 years in prison.…
Daffo on Where the Earth Bends and writing discomforting love songs
“I very, very, rarely write a love song. And when I do, it’s usually about what’s wrong in the relationship.”…
Doja Cat – ‘Vie’ review: shapeshifting, sensual and seriously fun
Zappy synths, slapping bass and playful vocals make Doja’s latest album a groove-a-thon that refuses to quit If 2021’s ‘Planet Her’ is a sparkling fantasy world of glossy pop and alien allure,…
Young Thug’s Uy Scuti review: half-baked and not weird enough
The first post-jail album from the rap pioneer arrives half-baked with a handful of strong moments. …
Amie Blu’s tactile folk-pop is cut with a bittersweet melancholy
The London-based songwriter cuts deep with her new album when all is said and done. Get to know her in this week’s Opener interview.…
CxM – ‘Hype Vibes’ review: unpredictable but occasionally uneven from SEVENTEEN’s latest unit
The K-pop boyband’s S.Coups and Mingyu serve up surprises on their first collaborative release, but not everything lands When SEVENTEEN’s S.Coups and Mingyu announced ‘Hype Vibes’, their…
Young Thug’s UY Scuti: See the full credits with Mariah The Scientist and more
Thug’s first album since being released from jail is an all-star affair.…
crushed no scope review: underground pop as cool as dark denim
Streaks of J-pop and radio-friendly emo boost the Los Angeles duo’s debut to standout status. …
Sprints – ‘All That Is Over’ review: a newly controlled version of the incendiary Dublin…
The second album by the noise-rock breakouts is sculpted and anthemic, but loses some fire in the process Fans of Sprints may spend all of ‘Abandon’, the first track on the Dublin band’s new…